Anitra has posted her own version of her encounter with worms and worming on Gather. If you go there before 10am PDT today (1 pm EDT), it will pop up on the front page as their lead featured story. If you get there later, click on this: The Worm Saga (My First Adventures in Vermicomposting). That should work.
Showing posts with label fey. Show all posts
Showing posts with label fey. Show all posts
Saturday, June 9, 2007
Saturday, March 3, 2007
William Wegman Rocks
I was looking over my YouTube posts and was astonished to find the video below listed as "related" to one of mine. This is amazing to me, not only because I can't see what the relationship could be, but because the artist ultimately responsible for the so-called related video, William Wegman, has always been one of my favorites, and it's like YouTube knew that and was trying to make me feel loved by telling me that I remind them of him.
If you don't know who William Wegman is click on the YouTube logo on the video image and read the description by the posting collective zimmerfrei. All I'm going to say here right now is, here's some of that Fey I was talking about, and William Wegman does it.
If you don't know who William Wegman is click on the YouTube logo on the video image and read the description by the posting collective zimmerfrei. All I'm going to say here right now is, here's some of that Fey I was talking about, and William Wegman does it.
Friday, February 2, 2007
So, Wes, What Is The Fey?
I thought I'd never ask. It is an interesting question which only I can answer, since only I know what I mean by The Fey.
First, The Fey is a class label. In that, it is like The Working Class, or The American Sports Hero, or The Rock & Roll Album. Whether something is an instance of a class label is often subject of argument. Often, the whole reason to introduce a class label is to incite argument. Argument excuses speech and long-windedness and detailed storied justifications. All of which are good things, some of us think.
What defining characteristics do instances of The Fey have?
There are several.
First, an instance of the Fey must be an event that either has happened, or maybe hasn't.
Every instance of The Fey, whether or not it has actually happened, must elicit surprise. It shouldn't elicit so much surprise as would cause heart failure or an unwillingness to stay for the end of the movie. The best sort of surprise is the sort that prompts remarks like but not limited to, "That was odd," or, "Huh," or, "Who would have thought that would happen."
There must, nevertheless, be a sense of inevitability to each instance of The Fey when it is closely examined. If the event in question hasn't happened, it must, upon reflection, be recognized as sorely wanting to happen, or asking for a happening in a most insistent or annoying way. If it has happened, it must be possible to realize that it was a Thing Waiting to Happen.
I can illustrate. Years ago, David Letterman put on a velcro suit, jogged toward a small trampoline, and jumped on it and bounced onto a velcro wall, where he stuck. My first reaction, when I saw this was to think, "That was odd." My second reaction, after reflecting upon it, was "How could it not have happened? I mean, there's velcro. There's trampolines. There's Letterman. So it had to be."
I hope that adequately explains what The Fey is to me, Dr. Wes Browning. Some other time I may explain why I am obsessed with it.
First, The Fey is a class label. In that, it is like The Working Class, or The American Sports Hero, or The Rock & Roll Album. Whether something is an instance of a class label is often subject of argument. Often, the whole reason to introduce a class label is to incite argument. Argument excuses speech and long-windedness and detailed storied justifications. All of which are good things, some of us think.
What defining characteristics do instances of The Fey have?
There are several.
First, an instance of the Fey must be an event that either has happened, or maybe hasn't.
Every instance of The Fey, whether or not it has actually happened, must elicit surprise. It shouldn't elicit so much surprise as would cause heart failure or an unwillingness to stay for the end of the movie. The best sort of surprise is the sort that prompts remarks like but not limited to, "That was odd," or, "Huh," or, "Who would have thought that would happen."
There must, nevertheless, be a sense of inevitability to each instance of The Fey when it is closely examined. If the event in question hasn't happened, it must, upon reflection, be recognized as sorely wanting to happen, or asking for a happening in a most insistent or annoying way. If it has happened, it must be possible to realize that it was a Thing Waiting to Happen.
I can illustrate. Years ago, David Letterman put on a velcro suit, jogged toward a small trampoline, and jumped on it and bounced onto a velcro wall, where he stuck. My first reaction, when I saw this was to think, "That was odd." My second reaction, after reflecting upon it, was "How could it not have happened? I mean, there's velcro. There's trampolines. There's Letterman. So it had to be."
I hope that adequately explains what The Fey is to me, Dr. Wes Browning. Some other time I may explain why I am obsessed with it.
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